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Movie Reviews
Stop-Loss | Stop-Loss |
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- - - Review by David DiMichele - - - Isn’t it ironic to see a decorated soldier, recipient of a Bronze Star and Purple Heart and just back from his tour of duty in Iraq - on the run? He goes on the run in his own hometown in Texas, until eventually they're searching for him all the way from Texas to New York. Most of this time he tries to keep a low profile. He’s wearing his U.S. Army shirt and pants while being pursued by the country he just served. He finds out that he’s just one of many soldiers trying to flee and fight at the same time, all of them subject to a law that was passed by the president himself and labeled as “stop-loss.” This law translates meaning a soldier who has to go back to war, involuntarily, because there’s a shortage of American soldiers on the battle front. Coming off a nine-year hiatus from directing, Kimberly Peirce (Boys Don’t Cry) tackles a tough subject - the war in Iraq and its effects – that left last year's Oscar hopefuls such as Rendition, In the Valley of Elah, and the criminally overlooked Lions for Lambs begging for customers at the box office. Her trick: to magnetize this type of movie to the younger generation, a generation that needs to see it more than any other. She teams up with MTV Films to create a movie with heart and emotion. She puts together a cast of hunks that should lead to box-office success: Ryan Phillippe, Channing Tatum and Joseph Gordon-Levitt. Stop-Loss isn’t just about war itself: the film tends to be more involved with people’s way of thinking on certain topics. Peirce pieces together snippets of war scenes set to classic “rock n’ roll” and contemporary music. What she doesn’t want is to overwhelm her audience with the war, but an opening scene containing full-fledged shooting is stunningly intense. She wants her message to come through without guns and bloodshed. Film Rating: *** 1/2 out of **** Official [ Movie Site ] Set as favorite Bookmark Email This Hits: 670 Comments (3)
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written by soundtrackgeek, March 29, 2008
Looks interesting. I've been looking forward to this movie. Great review. I just got the score by John Powell and will probably do a review on it soon.
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written by yiddidea, March 31, 2008
I just saw this film yesterday and I am still going over it in my head. I have been looking forward to this one for a while, as I was curious to see Kimberly Peirce's next film. I think the film succeeded with its purpose, making the audience aware of the Stop-Loss practices and the effect the war is having on our young men and women soldiers. The performances by Channing Tatum, Joseph Gordon Levitt, Abby Cornish and Ryan Phillipe were all good. Tatum and Levitt were the most consistent, with Tatum doing some of the best work of his career. Phillipe nailed the character in moments, but fell out of sync a few times as you could see him trying too hard. The most standout performance for me though was that of Victor Rasuk, who played Rico, the soldier who was injured and sent to an army hospital minus a few limbs and his eyesight. Rasuk truly embraced his role and didn't fall into any cliches of how you see injured soldiers portrayed in film.
As a whole, I thought the movie was well done, with just a few missteps. I am confused though. There are many scenes from the previews that were not in the film at all, mostly ones between Phillipe and Cornish's characters. I will be curious to see the DVD to see if there was an alternate ending.
... written by Lu Cantu, March 31, 2008
I had high expectations for Ms. Pierce, especially after a heavy hitter like BOYS DON'T CRY. And while I think this was a nicely done film, a documentary would have been more appropriate.
I felt like the acting was "ok" and the writing was god awful. Cheesy lines and Hollywood dialogue made it hard to take seriously. And I won't get into the super "healing" wounds on Phillipe... here again, not expecting a reality show on war wounds, but some consistency with real-life is always nice. I did like the opening scene and how it was filmed, as well as most the movie. I just couldn't get past the "staged" acting of all these buddies and the terribly unconvincing friendship between Phillipe and Cornish. But I blame the writer(s), and not the actors. Definitely one to rent, and not one to rush out and see. Write comment
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