Starring: Jason Segel, Kristen Bell, Mila Kunis, Russell Brand
Director: Nicholas Stroller
Release Date: April 18, 2008
Running Time: 110 min
MPAA Rating: R
Distributor: Universal Pictures

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Review by Jeremy Welsch

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Forgetting Sarah Marshall is the latest apple to fall from the Judd Apatow family tree of comedy films. For anyone who might have spent the last few years underground preparing for Y2K, this tree comprises a group of friends who take turns writing, directing, and/or starring in each other's movies, all packaged and shipped with the Apatow seal of approval. I guess that makes this movie Knocked Up’s baby brother. Or first cousin. I don’t know which. It’s sort of like the mafia, only instead of getting whacked, we get penis jokes. I'm sure there is a joke in there somewhere but I’m too tired to write it.

Either way, this movie stays true to the golden formula perfected by the Apatow Family over the past few years – focus on a group of men far more immature than their chronological ages, force them to deal with some level of reality in their respective circumstance and see how they react. It is the textbook definition of, well, textbook, but it is also real life in the sense that at some point, every man struggles with his own evolution into adulthood. Forgetting Sarah Marshall is no different.

Peter Bretter (Jason Segel) and Sarah Marshall (Kristen Bell) seem like a picture perfect couple - literally. Peter’s refrigerator, coffee mug, and calendar are plastered with pictures of the two of them together. She is the rising Hollywood star of a “CSI”-esque TV show and he composes the show's music. He worships the ground she walks on. Then she dumps him. While he’s naked. I mean really naked. Crushed and with nowhere to turn, Peter goes on a hollow one-night-stand-athon. After that exercise in humility does not bear fruit, and at the behest of his brother Brian (Bill Hader), he decides to go on vacation to clear his head. He picks a place in Hawaii that Sarah always talked about and off he goes. Great idea, until he arrives and finds her there with her new boyfriend, pop sensation Aldous Snow (Russell Brand).

Peter spends the remainder of the movie retracing the steps of his five-year relationship with Sarah to see what did and didn’t work, having his nose rubbed in her new relationship, and dim-wittedly flirting with a beautiful hotel employee named Rachel (Mila Kunis), who just happens to be Sarah’s polar opposite. I wonder how it will turn out…?

Movies about man's struggle out of the aftermath of a failed relationship are a dime a dozen. This one doesn’t bring anything new to the table but instead focuses on and exploits his vulnerability within the situation. Peter is not only crushed by the break-up, but he is pushed out of his comfort zone when confronted with the very person who broke his heart. He operates under the delusion that he isn’t running from the awkward situation but is instead forcing himself to grow by sticking out the vacation and being the bigger person. But he succumbs to the inevitability of having to see for himself what she is up to at all times, regardless of the train wreck it is bound to turn into.

The R-rated comedy has taken many shapes over the past 25 years. In the early 1980s it cost Porky’s and Fast Times at Ridgemont High a topless shot or two and a couple of light drug references to earn the badge of an R-rating. Soon that wasn’t enough. In the late 1990s, There’s Something About Mary and American Pie taught a new generation of male teens that getting caught with your dingy in an unconventional location, be it a pie or zipper, will garner a laugh. In 2008, keeping up with the times means that audiences have to bear witness to the arbitrary penis shot, or shots.

I picture the process of making Apatow-ian movies as a group of friends in a college film class being split into groups and assigned with the task of making a comedy. Each group takes a turn trying to outdo the others purely for their own amusement, and in the interests of continuity and oneupmanship each group has to go bigger and farther than the last entry just to stay ahead of the curve. It’s the ultimate game of truth or dare and trust me, nobody ever picks truth. I get that shock = funny sometimes, but I just don’t think the world is ready for full frontal male nudity in mainstream comedy. At least not the audience I saw it with, who met each scene with either groans or an equally uncomfortable silence. Then again, we are from the Midwest so maybe we’re the prudes.

Being a notch on the Apatow bedpost means using the usual supporting players. The mostly annoying Jonah Hill, the mostly funny Bill Hader, and the always hilarious Paul Rudd are all true to type. And penis aside, Segel not only carried the lead in the movie with surprising ease, he also wrote a pretty good script. But the real growth here is the strength of the female cast. Kristen Bell and Mila Kunis played the antithesis of each other's characters to perfection.

Forgetting Sarah Marshall will not be accused of blazing a path of originality, but lucky for us, it doesn’t have to. Thing is, this one is actually pretty funny. Not punch-you-in-the-face, laugh out loud funny the whole way through, but funny in that “funny because it’s true” sort of way; and anything it lacks in humor it makes up for in heart. Balancing the two meant it could be funny without seeming like it was trying too hard while at the same time being heartfelt without being in danger of being too cheesy.

And there’s the rub.

Film Rating: *** out of ****

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