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Movie Reviews
Cassandra's Dream | Cassandra's Dream |
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| Written by David DiMichele | ||
| Monday, 28 January 2008 | ||
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- - - Review by David DiMichele - - - Woody Allen only solidifies his place in the thriller genre with his newest London gripper Cassandra's Dream. After a couple of years dabbling in the "upper-class" society, he focuses on the "lower-class" and how desperate one can get for money. Match Point a few years back really gave him a new poison potion for filmmaking. After years of making quirky love tales and over-the-top comedies, he finds himself more at home with these dark and serious tales involving tightly-knit families. Although there were a few production delays, Allen's Cassandra's Dream is well worth the wait. The premise boils down to one simple thing: what happens when you live a life of lies. The two Blaine brothers are both in desperate need of money. Ian (Ewan McGregor) owns a little restaurant with his father, but he wants to start a business of his own. His involvement with a dashingly sexy actress named Angela (Hayley Atwell), who is something of a femme fatale, only increases his need for money. Lies of all sorts start coming out of his mouth and he even borrows a Jaguar from the garage his brother works at to drive her around in and thus impress her. His brother Terry (Colin Farrell with an accomplished London accent) is a mechanic by day and, on the down low, a gambling, pill-popping, booze-drinking addict by night. Only his brother knows of his severe gambling problem, not even his sweet caring girlfriend (Sally Hawkins) is aware of it. Yet he seems happier than Ian even though he's a degenerate gambler whose luck ranges from exceedingly good to abysmally bad. He owes loan sharks 90,000 pounds and will never be able to earn enough to pay them off. In the end we see how each brother moves forward after they make a decision. From the middle of the film to the end is solely a study based on how they reason out the decision they will make. One can't sleep and goes on a guilt trip while the other lives life to the fullest extent. The ending is especially suitable because this film isn't focused on anyone except the two brothers. Allen spotlights Ian and Terry throughout the entire film so that when the ending comes, we don't care about anybody else's reaction. Allen puts "real life" into these characters and they do what any sane person would do, both before and after the matter is over. Film Rating: ***1/2 out of **** Official [ Movie Site ] |
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